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Edited on 11/27/2006 | ||||||||||
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Frank "Ritmo" |
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Directions:
All classes are $5.00 per class!!!
Beginner Level I & II:
Every Friday from 7-8pm (Classes already started!)
Intermediate Level I & II:
TBA
Shines/Ladies & Men's Styling:
TBA
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Instructor Training: If you are interested in becoming an instructor, create your own turn patterns and shines, then this class is for you!
Send me an email to arrange for the sessions. All sessions are taught privately.
Each session is $120 hourly. Each additional hour takes $20 off the price. For example two hours is equal to $220. This price includes two instructors but does not include the studio rental.
These sessions applies to all styles of Salsa.
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No Cycles: The 1st level class teaches foundation steps. These are repeated consistently throughout each class while you are learning sets of spins and turn patterns.
The 2nd level concentrates on technique, the seven keys of leading & following and the methods used to create permutations of turn patterns.
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When I took my first class in Salsa/Mambo, it was the "Son Montuno" or "Palladium" style Mambo. The steps I learned were 234, 678.
When I first learned to dance, I remember how I did not originally count to the music; I danced through feeling the music and did not realize any structure to the steps. I did not realize this back then, but the count I was dancing to was 123, 567 - known as "breaking on the 1".
After I learned Salsa/Mambo with 234, 678, I experienced another style of Mambo danced on the 123, 567 "Guaracha Style" aka "New York On2". Both of these styes are breaking on "2" and they both have their own flavors.
The difference I found was in the basic step; 234, 678 - pauses and does not step on the "1" or "5", however the other style - 123, 567 - does step on the "1" and "5", however they both break on the "2". After you progress as a dancer, your basic step becomes more versatile. This is where you experiment with the music and choose which count you step on. This of course, depends on how you feel and move to the music.
With that said, I have danced both styles and found that they have made me a better dancer, instructor, performer and choreographer.
Learning both styles exposes you to areas of the music and dance that you cannot gain through dancing only one style. Any well-established dancer should be open to all styles and should be able to dance to any of them.
Which style you prefer to dance is your decision. If someone else is dancing a different style then they are not wrong - they are different.
I learned alot about the Fania and the Palladium Mambo era from the
Salsa Magazine website,
hosted by Izzy Sanabria. I encourage you to begin some dialogue
with Izzy and read up on some of the interesting articles on his web
site. Ask him about "The Palladium Days - When Mambo Was King".
When I first took my step to the dance floor, I quickly realized that my turn patterns were not happening and I could not remember those that I learned in class. After the 10th cross body lead, I recall my first instructor advising me to take the open footwork class - it is then that I understood what was open footwork/shines.
Salsa/Mambo is versatile, but it all depends on you. You can go out on the dance floor and work your partner on turn after turn after turn or you can break away (open) from your partner and freestyle!
Open footwork/shines is made up of footwork influenced by Cuban rhythms and Jazz technique. Try out a class!
*** Frequently Asked Questions ***
Do I need to bring a partner to class? No, but as any school will
tell you, the more people you bring, the better your discounts will be.
Frank "Ritmo" Garcia "Siempre En El Ritmo"
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